In the tradition of C. S. Harris and Anne Perry, a fatal disaster on the Thames and a roiling political conflict set the stage for Karen Odden’s second Inspector Corravan historical mystery.
September 1878. One night, as the pleasure boat the Princess Alice makes her daily trip up the Thames, she collides with the Bywell Castle, a huge iron-hulled collier. The Princess Alice shears apart, throwing all 600 passengers into the river; only 130 survive. It is the worst maritime disaster London has ever seen, and early clues point to sabotage by the Irish Republican Brotherhood, who believe violence is the path to restoring Irish Home Rule.
For Scotland Yard Inspector Michael Corravan, born in Ireland and adopted by the Irish Doyle family, the case presents a challenge. Accused by the Home Office of willfully disregarding the obvious conclusion, and berated by his Irish friends for bowing to prejudice, Corravan doggedly pursues the truth, knowing that if the Princess Alice disaster is pinned on the IRB, hopes for Home Rule could be dashed forever.
Corrovan’s dilemma is compounded by Colin, the youngest Doyle, who has joined James McCabe’s Irish gang. As violence in Whitechapel rises, Corravan strikes a deal with McCabe to get Colin out of harm’s way. But unbeknownst to Corravan, Colin bears longstanding resentments against his adopted brother and scorns his help.
As the newspapers link the IRB to further accidents, London threatens to devolve into terror and chaos. With the help of his young colleague, the loyal Mr. Stiles, and his friend Belinda Gale, Corravan uncovers the harrowing truth—one that will shake his faith in his countrymen, the law, and himself.
Read an Excerpt
Having finished writing my daily report, I left Wapping, walking past the London Docks to Sloane Street, where the Goose and Gander stood at the corner of Hackford.
The sight of it brought back the afternoons Pat Doyle and I would come here, our spirits buoyed by the shillings in our pockets from working on the docks. We steered clear of most public houses—like the English Pearl, a few doors down, or the Drum and Thistle—but we two Irish stevedores found a welcome here, in this low-ceilinged room with a pair of rusted swords and a Celtic Cross over the mantle. Joining in on the bawdy choruses after a few pints made Pat and me feel like men—Irish men—and, for a while, as if we belonged. I’m not proud to admit it, but I liked it when someone who wasn’t Irish was scowled out of the place.
Life was hard on the docks. The dockmaster, named Smithson, always hired Pat and me as a pair because he knew that together we could accomplish four times what any other single man could. It didn’t keep Smithson from treating us the worst, though. If there was a swan-necked cart with a wheel that wasn’t working properly, that would be ours for the day. If we took time to fix the wheel, our wages would be docked. Sometimes we didn’t get a cart at all and had to haul the goods on our backs. If a bag of tea burst because it was roughly handled or at the bottom of a heavy pile, we’d be blamed. Pat and I kept to ourselves, mostly, though after a time we banded with a few older Irishmen who were hired regularly. We did our work, held our heads down, stayed out of people’s way. Still, most days Smithson would shout at us for being feckin’ Irish eejits, which worried me because Pat was quick to throw down whatever bag he was toting in order to free up his fists, and I’d have to remind him that we needed the money more than we wanted Smithson to pay for his spite. I hated it too. But we had no choice but to stay and take it.
It was the docks that taught me what being Irish meant because growing up in my part of the Chapel, Irish was all I knew. Like hundreds of others during the famine years, my parents sailed from Dublin to Liverpool, making portions of that city along the Mersey River more Irish than English. My father was a silversmith, and a skilled one, but there wasn’t enough work for all the silversmiths who had landed in Liverpool, so he and my mum came down to the Irish part of Whitechapel. With anti-Irish feeling running high, shops elsewhere in London wouldn’t hire a man with black hair and blue eyes named Corravan, with an accent straight out of County Armagh. My mum never told me so, but my father did what many Irishmen had to do—plied their trade sideways. He became a counterfeiter, making two-bit coins in a cellar somewhere, with fumes that clung to him when he came through our door at night. He died when I was three years old, too young to remember him well, but old enough that the odor of suet and oil and the bitter tang of cyanide had rooted itself in my brain. During one of my earliest cases in Lambeth, I walked into a house and recognized the smell straightaway, like I knew the smell of tea or hops or onions. That’s when I realized how my father had put bread on our table.
The rancor against the Irish grates at me sometimes. Not to say we don’t deserve some of it. Four years ago, two Irishmen in Lambeth threw firebombs into one of Barnardo’s English orphanages, to protest that Parliament had just prohibited the Irish from setting up orphanages for our own. The next morning, the corpses of twenty-six children were laid out on the street and on the front page of every newspaper in London. For weeks after, shame hacked at my insides. I could barely meet anyone’s eye.
But we Irish don’t all deserve to be tarred with the same brush, and it’s hard to bear the ugly opinions printed in the papers. Nowadays, I stop reading if I catch a hint of hatred in the first lines, but there was a time when I would read the articles and letters from “concerned citizens” and “true Englishmen” because I wanted to know the worst that could be said of us. That was before I realized that words could be infinitely malicious. There was no worst; there was only more. I still remember the conclusion of one letter because it seemed so preposterous: “The Irish are the dregs in the barrel, the lowest of the low. They kill their fathers, rape their sisters, and eat their children, stuffing their maws with blood and potatoes indifferently, like wild beasts.”
Well, that wasn’t true of any of the Irish I knew. Indeed, as I laid my hand on the doorknob of the Goose and Gander, I was reasonably certain that inside I’d find Irish folks sitting, eating normal food, and playing cards.
I pushed open the wooden door, greeted the barmaid, and asked if O’Hagan had been in. She shook her head. “Not yet. He usually comes around eight.”
Chapter 4, pp. 28-30
From Under a Veiled Moon © 2022, Karen Odden, published by Crooked Lane Books
“[An] exceptional sequel . . . Fans of Lyndsay Faye’s Gods of Gotham trilogy will be enthralled.” —Publishers Weekly, starred review
“Victorian skulduggery with a heaping side of Irish troubles.” —Kirkus Reviews
“Charismatic police superintendent Michael Corravan is back in a gripping sequel about the mysterious sinking of the Princess Alice. Odden deftly weaves together English and Irish history, along with her detective's own story, in a way that will keep readers flipping pages long into the night.” —Susan Elia MacNeal, New York Times bestselling author of Mother Daughter Traitor Spy and the Maggie Hope series.
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